{"id":20698,"date":"2024-04-16T03:09:00","date_gmt":"2024-04-16T03:09:00","guid":{"rendered":"https:\/\/www.euegeajans.com\/?p=20698"},"modified":"2024-04-16T08:12:19","modified_gmt":"2024-04-16T08:12:19","slug":"doc-dr-ipekcioglu-cini-sanati-turk-islam-kulturunde-onemli-bir-yere-sahip","status":"publish","type":"post","link":"https:\/\/www.euegeajans.com\/index.php\/2024\/04\/16\/doc-dr-ipekcioglu-cini-sanati-turk-islam-kulturunde-onemli-bir-yere-sahip\/","title":{"rendered":"Do\u00e7. Dr. \u0130pek\u00e7io\u011flu, \u201c\u00c7ini sanat\u0131, T\u00fcrk-\u0130slam k\u00fclt\u00fcr\u00fcnde \u00f6nemli bir yere sahip\u201d"},"content":{"rendered":"

Bin K\u00fcsur Y\u0131ll\u0131k K\u00fclt\u00fcrel \u0130z \u00c7ini\u2019nin Tarihsel S\u00fcreci\u2026<\/p>\n

Do\u00e7. Dr. \u0130pek\u00e7io\u011flu, \u201c\u00c7ini sanat\u0131, T\u00fcrk-\u0130slam k\u00fclt\u00fcr\u00fcnde \u00f6nemli bir yere sahip\u201d<\/b><\/p>\n

\u00c7a\u011fatay Yi\u011fit Akkaya<\/p>\n

Saray, cami, t\u00fcrbe gibi T\u00fcrk \u0130slam eserlerinde s\u00fcsleme sanat\u0131 olarak yer verilen \u00e7ini sanat\u0131 \u00f6zg\u00fcn bir k\u00fclt\u00fcr olarak ge\u00e7mi\u015ften gelece\u011fe aktar\u0131lmaya devam ediyor. Topkap\u0131 Saray\u0131 Valiaht Dairesi, Ak\u015fehir Ulu Camii, \u0130stanbul Takkeci \u0130brahim A\u011fa Camii ve Konya Sahip Ata Hankah\u0131\u2019nda yer alan \u00e7iniler ba\u015fta olmak \u00fczere \u00e7ini sanat\u0131, T\u00fcrk \u0130slam k\u00fclt\u00fcr\u00fcnde akla ilk gelen unsurlardan biri olarak varl\u0131\u011f\u0131n\u0131 koruyor. Ege \u00dcniversitesi Edebiyat Fak\u00fcltesi Sanat Tarihi B\u00f6l\u00fcm\u00fc T\u00fcrk ve \u0130slam Sanatlar\u0131 Anabilim Dal\u0131 \u00d6\u011fretim \u00dcyesi Do\u00e7. Dr. Sevin\u00e7 G\u00f6k \u0130pek\u00e7io\u011flu, \u00e7ini sanat\u0131 ile ilgili bilgi verdi. Do\u00e7. Dr. \u0130pek\u00e7io\u011flu \u201cT\u00fcrk, \u0130ran, Mo\u011fol, Arap ve Berber as\u0131ll\u0131 toplumlar\u0131n, Orta Asya\u2019dan \u0130spanya\u2019ya kadar uzanan bir co\u011frafyada, 7. y\u00fczy\u0131ldan g\u00fcn\u00fcm\u00fcze kadar s\u00fcrekli geli\u015ftirdikleri \u00e7ini ve seramik sanat\u0131, her b\u00f6lgede farkl\u0131 geli\u015fim izlemi\u015ftir. Farkl\u0131 teknik ve \u00fcslup \u00f6zellikleriyle kar\u015f\u0131m\u0131za \u00e7\u0131kan \u00e7iniler; renk ve desen repertuar\u0131 ile g\u00f6z kama\u015ft\u0131r\u0131c\u0131 \u00f6rnekler sunmaya devam ediyor\u201d dedi.<\/p>\n

\"\"\u00c7ininin olu\u015fumundan bahseden Do\u00e7. Dr. \u0130pek\u00e7io\u011flu \u201cKil, kuvars ve \u00f6zl\u00fc maddeler birle\u015ftirildikten sonra istenilen formda \u00e7ini plakalar meydana getirilir. Bisk\u00fcvi f\u0131r\u0131nlamas\u0131 yap\u0131lan \u00e7ini plakalar, l\u00fcster, s\u0131ralt\u0131, tek renk s\u0131rl\u0131 ya da renkli s\u0131r teknikleri kullan\u0131larak bezenir ve i\u00e7eri\u011finde cam ve kuvars bulunan s\u0131r\u00e7a ile s\u0131rlan\u0131r. Bu i\u015flemlerin ard\u0131ndan \u00e7ini plakalar tekrar f\u0131r\u0131nlan\u0131r ve y\u00fcksek ate\u015fte eriyen ve \u015feffafla\u015fan s\u0131r\u00e7a, \u00e7inini y\u00fczeyini kaplar\u201d dedi.<\/p>\n

\u201cDini ve sivil mimari \u00e7inileri farkl\u0131l\u0131k g\u00f6sterir\u201d<\/b><\/p>\n

\u00c7ini sanat\u0131n\u0131n tarihi hakk\u0131nda konu\u015fan Do\u00e7. Dr. \u0130pek\u00e7io\u011flu, \u201cAbbasiler d\u00f6neminde \u00fcretilmeye ba\u015flanan l\u00fcster teknikli \u00e7iniler, renk, desen ve motif \u00f6zellikleriyle y\u00fcksek kalite bir \u00fcretimin \u00f6rnekleridir. Bu \u00e7iniler bir\u00e7ok ustaya ilham olmu\u015f, devirler boyu kullan\u0131lmaya devam etmi\u015ftir. \u00c7ini sanat\u0131 \u00f6zellikle B\u00fcy\u00fck Sel\u00e7uklular d\u00f6neminde geli\u015fim g\u00f6sterir. L\u00fcster, s\u0131ralt\u0131, tek renk s\u0131rl\u0131 vb. bir\u00e7ok teknikle \u00e7iniler ba\u015far\u0131yla \u00fcretilmi\u015f ve gerek cami, t\u00fcrbe, medrese gibi\u00a0dini yap\u0131lar\u0131 gerekse saray, k\u00f6\u015fk, hamam, \u00e7e\u015fme\u00a0gibi\u00a0sivil yap\u0131lar\u0131 s\u00fcslemi\u015ftir. Bu \u00e7inilerde konular, dini ve sivil mimariye g\u00f6re de\u011fi\u015fkenlik g\u00f6sterir. Dini yap\u0131lar\u0131 s\u00fcsleyen \u00e7inilerde; bitkisel ve geometrik bezemelerin yan\u0131 s\u0131ra yaz\u0131 kullan\u0131lm\u0131\u015ft\u0131r. Sivil mimaride ise daha \u00e7ok fig\u00fcrl\u00fc s\u00fcslemeler tercih edilmi\u015ftir. Bu fig\u00fcrl\u00fc bezemelerde; insan, hayvan ve fantastik hayvan (siren, sfenks, grifon, \u00e7ift ba\u015fl\u0131 kartal, ejder) motifleri belirli kompozisyonlarda i\u015flenmi\u015ftir. Konular taht, av, sevgili, m\u00fczisyenler ve atl\u0131 avc\u0131lard\u0131r. Anadolu Sel\u00e7uklular\u0131 d\u00f6neminde \u00e7ini mozaik tekni\u011fi \u00e7ok geli\u015fmi\u015f ve yayg\u0131nla\u015fm\u0131\u015ft\u0131r. Cami, t\u00fcrbe, medrese ve \u015fifahane gibi yap\u0131lar\u0131n mihraplar\u0131, kubbe ve tonoz y\u00fczeyleri, kemerler ve pencere al\u0131nl\u0131klar\u0131 \u00e7ini mozaik teknikli \u00e7inilerle bezenmi\u015ftir\u201d dedi.<\/p>\n

\u201cAnadolu, ger\u00e7ek bir \u00e7ini k\u00fclt\u00fcr\u00fcne sahip\u201d<\/b><\/p>\n

\"\"T\u00fcrk-\u0130slam k\u00fclt\u00fcr\u00fcnde \u00e7inin \u00f6nemine de\u011finen Do\u00e7. Dr. \u0130pek\u00e7io\u011flu, \u201c\u00c7ini, Anadolu T\u00fcrk sanat\u0131nda \u00e7ok \u00f6nemli bir s\u00fcsleme malzemesidir. Kullan\u0131lan tekniklerin \u00e7e\u015fitlili\u011fi, uygulanan alanlar ve desen repertuar\u0131 \u00e7ok geli\u015fmi\u015ftir. Asl\u0131nda \u00e7ini yerine kullan\u0131labilecek \u00e7ok daha ucuz ve kolay y\u00f6ntemler olmas\u0131na kar\u015f\u0131n, ustalar b\u00fct\u00fcn zorluklar\u0131na ra\u011fmen \u00e7ini s\u00fcslemeyi tercih etmi\u015ftir. Bu da Anadolu\u2019da ger\u00e7ek anlamda bir \u00e7ini k\u00fclt\u00fcr\u00fcn\u00fcn olu\u015fmas\u0131n\u0131 sa\u011flam\u0131\u015ft\u0131r. Kaliteli, renkli ve \u015feffaf cams\u0131 y\u00fczeyiyle \u00e7iniler yap\u0131lar\u0131n isimlerine dahi yans\u0131m\u0131\u015ft\u0131r. \u00d6rne\u011fin, Bursa Ye\u015fil Cami, ismini caminin b\u00fct\u00fcn i\u00e7 duvarlar\u0131n\u0131 ve mihrab\u0131n\u0131 s\u00fcsleyen \u00e7inilerinden al\u0131r\u201d diye konu\u015ftu.<\/p>\n

\u00dclkemizde \u00e7ini \u00fcretiminin halen devam etti\u011fini vurgulayan Do\u00e7. Dr. \u0130pek\u00e7io\u011flu, \u201cG\u00fcn\u00fcm\u00fczde geleneksel y\u00f6ntemlerle \u00e7iniler \u00fcretilmeye ve gelecek nesillere aktar\u0131lmaya devam ediyor. \u00d6zellikle, \u0130znik ve K\u00fctahya\u2019da y\u00fcksek kaliteli \u00e7iniler, yerel ustalar\u0131n elinde \u015fekilleniyor. Bu \u00e7iniler, yeni in\u015fa edilen yap\u0131lar\u0131n dekorasyonunda tercih edilebildi\u011fi gibi tarihi yap\u0131larda da restorasyon gerekliliklerine g\u00f6re kullan\u0131labiliyor\u201d dedi.<\/p>\n