{"id":20069,"date":"2024-03-09T06:24:12","date_gmt":"2024-03-09T06:24:12","guid":{"rendered":"https:\/\/www.euegeajans.com\/?p=20069"},"modified":"2024-03-09T06:24:13","modified_gmt":"2024-03-09T06:24:13","slug":"eu-etnografya-muzesinde-geleneksel-sanatlar-konusuldu","status":"publish","type":"post","link":"https:\/\/www.euegeajans.com\/index.php\/2024\/03\/09\/eu-etnografya-muzesinde-geleneksel-sanatlar-konusuldu\/","title":{"rendered":"E\u00dc Etnografya M\u00fczesinde \u201cGeleneksel Sanatlar\u201d konu\u015fuldu"},"content":{"rendered":"

\u00a0Ege \u00dcniversitesinde D\u00fcnya Kad\u0131nlar G\u00fcn\u00fc etkinlikleri devam ediyor<\/p>\n

E\u00dc Etnografya M\u00fczesinde \u201cGeleneksel Sanatlar\u201d konu\u015fuldu<\/b>\u00a0<\/b><\/p>\n

\u0130ZM\u0130R (Ege Ajans)-<\/b>\u00a0Ege \u00dcniversitesi (E\u00dc) Etnografya M\u00fczesinde, \u201cM\u00fcze S\u00f6yle\u015fileri\u201d kapsam\u0131nda \u201cGeleneksel Sanat \u00dczerine\u201d konulu panel d\u00fczenlendi. E\u00dc Sa\u011fl\u0131k K\u00fclt\u00fcr ve Spor Daire Ba\u015fkanl\u0131\u011f\u0131, E\u00dc Kad\u0131n Sorunlar\u0131 Uygulama ve Ara\u015ft\u0131rma Merkezi (EKAM) i\u015f birli\u011finde d\u00fczenlenen sempozyuma akademisyenler ve geleneksel sanata ilgi duyan sanatseverler kat\u0131ld\u0131.<\/p>\n

Moderat\u00f6rl\u00fc\u011f\u00fcn\u00fc Etnografya M\u00fczesi M\u00fcd\u00fcr\u00fc Dr. \u00d6\u011fr. \u00dcyesi Dilek Maktal Canko\u2019nun \u00fcstlendi\u011fi panelde Dokuz Eyl\u00fcl \u00dcniversitesi G\u00fczel Sanatlar Fak\u00fcltesi \u00d6\u011fretim \u00dcyesi Do\u00e7. Dr. Gonca Karavar, K\u00fclt\u00fcr ve Turizm Bakanl\u0131\u011f\u0131 K\u00fclt\u00fcrel Miras Ta\u015f\u0131y\u0131c\u0131s\u0131 \u00e7ini sanat\u00e7\u0131s\u0131 Ebru Camk\u0131ran ve\u00a0K\u00fclt\u00fcr ve Turizm Bakanl\u0131\u011f\u0131 K\u00fclt\u00fcrel Miras Ta\u015f\u0131y\u0131c\u0131s\u0131\u00a0tezhip sanat\u00e7\u0131s\u0131 Ay\u015feg\u00fcl Devecier konu\u015fmac\u0131 olarak kat\u0131ld\u0131.<\/p>\n

Do\u00e7. Dr. Gonca Karavar, \u201cHal\u0131 Sanat\u0131 Gelene\u011fi, Geli\u015fimi ve G\u00fcn\u00fcm\u00fczdeki Durumu\u201d ba\u015fl\u0131kl\u0131 sunumunda hal\u0131 sanat\u0131 \u00fczerindeki desenlerin ge\u00e7mi\u015ften g\u00fcn\u00fcm\u00fcze de\u011fin ge\u00e7irdi\u011fi a\u015famalar hakk\u0131nda bilgiler verdi. \u00a0Hal\u0131c\u0131l\u0131k sanat\u0131n\u0131n tarihinden bahseden Do\u00e7. Dr. Gonca Karavar \u201cHal\u0131c\u0131l\u0131k gelene\u011fi zamanla bir sanat dal\u0131 olmu\u015ftur. \u0130lk \u00fcretildi\u011fi d\u00f6nemde kimse d\u00fc\u015f\u00fcnmemi\u015fti bir sanat eseri ortaya koydu\u011funu. Asl\u0131nda hal\u0131 \u00fcretimi daha \u00e7ok ihtiya\u00e7tan ortaya \u00e7\u0131km\u0131\u015ft\u0131r. \u0130lk \u00e7\u0131kt\u0131\u011f\u0131 d\u00f6nemler buluntulara bakt\u0131\u011f\u0131m\u0131zda milattan \u00f6nce 5\u2019inci y\u00fczy\u0131la dayan\u0131yor. \u0130lk buluntu Paz\u0131r\u0131k hal\u0131s\u0131d\u0131r. Paz\u0131r\u0131k hal\u0131s\u0131 en eski d\u00fc\u011f\u00fcml\u00fc dokunmu\u015f \u00f6rne\u011fidir. Osmanl\u0131 \u0130mparatorlu\u011fu\u2019nda \u00f6zellikle 16\u2019nc\u0131 y\u00fczy\u0131lda bu alanda en parlak eserler verilmi\u015ftir. \u00d6zellikle o d\u00f6nem saray i\u00e7in olduk\u00e7a b\u00fcy\u00fck hal\u0131lar \u00fcretilmi\u015ftir. Hatta bu hal\u0131lar\u0131n dokuma tezg\u00e2hlar\u0131 yak\u0131l\u0131rm\u0131\u015f ki ayn\u0131s\u0131nda bir daha \u00fcretilmesin. Yani sadece saray i\u00e7in \u00fcretilmi\u015ftir. Nakka\u015fhane gelene\u011fi i\u00e7inde sadece saray i\u00e7in \u00fcretilen \u00fcr\u00fcnlerin desenleri haz\u0131rlamaktad\u0131r.\u00a0 Ayn\u0131 d\u00f6nemde d\u0131\u015far\u0131ya sipari\u015f \u00fcretimler de yap\u0131lm\u0131\u015ft\u0131r. Bat\u0131 Anadolu\u2019da Kozak Yaylas\u0131, Bergama, U\u015fak, \u0130zmir ve Kula muhte\u015fem dokuma merkezleridir\u201d dedi.<\/p>\n

\"\"Sanayi devriminin geli\u015fmesi, makinele\u015fme ve ticarile\u015fme ile birlikte dokuma gelene\u011fi gibi el sanat\u0131 \u00fcr\u00fcnlerinin azald\u0131\u011f\u0131na dikkat \u00e7eken Do\u00e7. Dr. Gonca Karavar, \u201c\u00d6zellikle dokuma hal\u0131lar\u0131n\u0131n zamanla yurt d\u0131\u015f\u0131na sat\u0131lmas\u0131 ile birlikte hal\u0131c\u0131\u011f\u0131n \u00f6rnekleri b\u00fcy\u00fck bir oranda azalm\u0131\u015ft\u0131r. G\u00fcn\u00fcm\u00fczde hal\u0131c\u0131l\u0131k piyasas\u0131nda dokuma hal\u0131lara kar\u015f\u0131 b\u00fcy\u00fck bir ilgi g\u00f6sterilmektedir. Bu ilgiden dolay\u0131 bizler ellerinde dokuma hal\u0131 olan ki\u015filere bu eserleri ba\u011f\u0131\u015flamas\u0131n\u0131 tavsiye diyoruz.\u00a0 Bizler \u00f6zellikle ge\u00e7mi\u015fe dair buldu\u011fumuz her \u00f6rnek deseni kay\u0131t alt\u0131na almak zorunday\u0131z\u201d dedi.<\/p>\n

\u201cGeleneksel sanatlardaki \u00e7izginin ifade g\u00fcc\u00fc\u00a0 kuvvetlidir\u201d<\/b><\/p>\n

\u201cGelene\u011fin \u0130\u00e7inde \u00c7ini\u201d ba\u015fl\u0131kl\u0131 sunumunda dinleyenlere \u00e7ini sanat\u0131n\u0131n incelikleri, klasik ve modern \u00e7ini ayr\u0131m\u0131 konular\u0131nda bilgi veren Ebru \u00a0Camk\u0131ran, \u201c\u00dcnl\u00fc ressamlar\u0131n resimlerinin birebir kopyas\u0131, spor tak\u0131mlar\u0131n\u0131n logolar\u0131, \u00e7e\u015fitli resim t\u00fcrlerine\u00a0 \u00e7ini demek ne kadar do\u011fru olmaktad\u0131r. \u00c7ini sanat\u0131 iki boyutlu bir sanat olarak yap\u0131lmakta iken modern \u00e7ini ad\u0131 alt\u0131nda yap\u0131lan \u00e7al\u0131\u015fmalar\u0131n baz\u0131lar\u0131n\u0131n \u00fc\u00e7 boyutlu olmas\u0131 da ba\u015fka bir tart\u0131\u015fmaya sebep olmaktad\u0131r. T\u00fcrk s\u00fcsleme sanatlar\u0131nda bezemelerde kullan\u0131lan desenler ve bu desenleri olu\u015fturan motifler iki boyutludur. \u00c7izimde \u00fc\u00e7 boyuta yer verilmemi\u015ftir. \u00c7\u00fcnk\u00fc \u00e7izginin ifade g\u00fcc\u00fc o kadar kuvvetlidir ki \u00fc\u00e7\u00fcnc\u00fc boyuta ihtiya\u00e7 duyulmam\u0131\u015ft\u0131r. Bazen usta bir elden \u00e7\u0131kan desende \u00e7izginin g\u00fczelli\u011fi ve ahengin yan\u0131nda renge dahi ihtiya\u00e7 duyulmam\u0131\u015ft\u0131r\u201d dedi.<\/p>\n

Gelenek kavram\u0131 i\u00e7inde \u00e7ini sanat\u0131n\u0131n yeri konusundan bahseden Camk\u0131ran, \u201cBug\u00fcn hala gelenek tan\u0131m\u0131 yap\u0131l\u0131rken daha \u00e7ok eskilik ve aktarma kavramlar\u0131na vurgu yap\u0131lmaktad\u0131r. H\u00e2lbuki as\u0131l vurgulanmas\u0131 gereken yarat\u0131c\u0131l\u0131k ve de\u011fi\u015fme kavramlar\u0131 olmal\u0131d\u0131r. \u0130lk olarak gelenek ve de\u011fi\u015fme kavramlar\u0131 birbirine tezat g\u00f6r\u00fclebilir. Ancak her ku\u015fakta de\u011fi\u015fen k\u00fclt\u00fcrel \u00e7evre ve bireysel yarat\u0131c\u0131l\u0131k ile de\u011fi\u015fimin az ya da \u00e7ok olmas\u0131 ka\u00e7\u0131n\u0131lmazd\u0131r. E\u011fer hi\u00e7 de\u011fi\u015fmeden ayn\u0131 \u015fekilde nakledilmi\u015f ve hi\u00e7bir ku\u015fakta bireysel yarat\u0131c\u0131l\u0131\u011fa izin verilmemi\u015f olsayd\u0131 bug\u00fcn sahip oldu\u011fumuz gelenek birka\u00e7 y\u00fczy\u0131l \u00f6ncesindekilerin ayn\u0131s\u0131 olmak durumunda kal\u0131rd\u0131. Gelenek kavram\u0131 i\u00e7inde \u00e7ini sanat\u0131n\u0131 ele ald\u0131\u011f\u0131m\u0131zda ge\u00e7mi\u015ften gelen g\u00fcce uyarak, desen ve motifleri kopyac\u0131l\u0131k yolu ile de\u011fil, planlamada, benzemede, bi\u00e7imde fikir ve g\u00f6r\u00fc\u015f kayna\u011f\u0131 olarak kullanabilece\u011fimizi s\u00f6yleyebilmekteyiz. Bu \u015fekilde meydana gelen de\u011fi\u015fimin olumlu olmas\u0131 ile sanat zenginle\u015ferek nesilden nesile aktar\u0131lmaya devam etmi\u015f olacakt\u0131r\u201d diye konu\u015ftur.<\/p>\n

\u201cGelenek gelecektir\u201d<\/b><\/p>\n

\"\"Tezhip sanat\u00e7\u0131s\u0131 Ay\u015feg\u00fcl Devecier ise \u201cGe\u00e7mi\u015ften G\u00fcn\u00fcm\u00fcze Tezhip Sanat\u0131\u201d sunumda tezhip sanat\u0131 tarihini \u00f6rnek \u00e7al\u0131\u015fmalarla anlatt\u0131.Tezhip sanat\u0131nda kullan\u0131lan malzemeler hakk\u0131nda da bilgiler veren \u00a0Devecier, \u201cOrta Asya\u2019da k\u00fclt\u00fcrel olarak meydana gelen sanat\u0131m\u0131z\u0131n unsurlar\u0131n\u0131n\u00a0 dini yap\u0131m\u0131zla da uyum g\u00f6stermesi \u0130slam dininin kabul\u00fcnden sonra\u00a0 b\u00fcy\u00fck bir geli\u015fim g\u00f6stermi\u015ftir. Sel\u00e7uklu, Osmanl\u0131 gibi imparatorluk devletlerinde bu sanatlar en y\u00fcksek seviyeye getirilmi\u015f, y\u00fczy\u0131llara g\u00f6re farkl\u0131l\u0131k g\u00f6sterse de tezhip sanat\u0131 bir b\u00fct\u00fcn olarak kalm\u0131\u015f ve her y\u00fczy\u0131lda zirve sanat ve sanat\u00e7\u0131larla devaml\u0131l\u0131\u011f\u0131n\u0131n yeni nesillere aktar\u0131lm\u0131\u015ft\u0131r. Yani asl\u0131nda gelenek gelecektir ve devaml\u0131\u011f\u0131n\u0131n sigortas\u0131 da klasik sanatlardan ge\u00e7er\u201d dedi.<\/p>\n

Ay\u015feg\u00fcl Devecier, \u201cTezhip sanat\u0131 Arap\u00e7a alt\u0131nlamak manas\u0131n\u0131 ta\u015f\u0131rken ezilerek f\u0131r\u00e7a ile s\u00fcr\u00fclecek hale getirilmi\u015f boyayla yap\u0131lan muhtelif renklerle kullan\u0131lan parlak ve cazip bir kitap sanat\u0131d\u0131r. Do\u011fadaki g\u00f6rd\u00fc\u011f\u00fcm\u00fcz b\u00fct\u00fcn \u00e7i\u00e7eklerin a\u011fa\u00e7lar\u0131n her \u015feyin sanat\u00e7\u0131 taraf\u0131ndan stilize edilerek yani i\u00e7indeki detaylar\u0131 at\u0131larak \u00e7izilmi\u015f ve denge ile kompozisyon haline getirilmesidir. Tezhip sanat\u0131 bir\u00e7ok sanatla ili\u015fiklidir hatta bence desen k\u0131sm\u0131nda hepsinin ba\u015flang\u0131c\u0131d\u0131r\u201d dedi.<\/p>\n

Panel sonunda Etnografya M\u00fczesi M\u00fcd\u00fcr\u00fc Dr. \u00d6\u011fr. \u00dcyesi Dilek Maktal Canko taraf\u0131ndan kat\u0131l\u0131mc\u0131lara g\u00fcn\u00fcn an\u0131s\u0131na \u201cTe\u015fekk\u00fcr Belgesi\u201d verildi.<\/p>\n